image of Digitization of Gandhāran Artefacts (DiGA). Objectives, Problems & Methods
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Digitization of Gandhāran Artefacts (DiGA). Objectives, Problems & Methods


CERES-Palais, Raum "Ruhrpott" (4.13)

The project DiGA aims at developing a concept for the digitization of a corpus of Buddhist sculptures from Gandhāra (present-day Pakistan/Afghanistan) preserved in museums in Pakistan. Situated at the cross-roads of Art History, Religious Studies and Digital Humanities, the project sets itself two main objectives. Firstly, it seeks to prepare a repository of Gandharan Buddhist artefacts and secondly, it aims at meeting desiderata in the study of both Gandharan art and Gandharan Buddhism. In this respect, the project will evaluate software and metadata standards in order to develop a technical platform that will enhance the analysis of Buddhist images, particularly of their formal and iconographic features, and facilitate their comparison with corpora of Buddhist texts.

This kick-off workshop will provide an opportunity for art historians, philologists, and specialists in Digital Humanities to discuss issues connected to the digitization of cultural heritage.

Beteiligte Personen

Foto von Dr. Antonio Amato

Dr. Antonio Amato

Kontakt

Universitätsstr. 90a
44789  Bochum
Büro 1.09
+49 234 32-22382
antonio.amato@rub.de
Foto von Prof. Dr. Jessie Pons

Prof. Dr. Jessie Pons

Kontakt

Universitätsstr. 90a
44789  Bochum
Büro 1.04
+49 234 32-22955
jessie.pons@rub.de